One More Week…
It’s official!
The NSI Online Short Film Festival will screen Socket (2016) on January 22nd.
Click HERE where my short film will be made available.
2017: 52 Films by Women Challenge
I just came across the 52 Films by Women challenge today. Since I keep close track of my movie viewing, let’s see how I did in 2017 having no initiative that these were going to be counted.
The Edge of Seventeen (dir. Kelly Fremon Craig)
Sleepwalk (dir. Sara Driver)
Standing Tall (dir. Emmanuelle Bercot)
Certain Women (dir. Kelly Reichardt) (Watched it twice)
Always Shine (dir. Sophia Takal)
Évolution (dir. Lucile Hadžihalilović)
Meshes of the Afternoon (dir. Maya Deren and Alexandr Hackenschmied)
All This Panic (dir. Jenny Gage)
Viktoria (dir. Maya Vitkova)
Karl Marx City (dir. Petra Epperlein and Michael Tucker)
Cameraperson (dir. Kirsten Johnson)
Mansfield Park (dir. Jane Austen)
Toni Erdmann (dir. Maren Ade) (2nd time)
David Lynch: The Art Life (dir. Jon Nguyen, Olivia Neergaard-Holm, and Rick Barnes)
Raw (dir. Julia Ducournau) (Watched it twice)
CONTINUE READING ►
SOCKET (2016) Is Going to Cinema New York City!
The film festival Cinema New York City has officially selected my new short film Socket (2016)!
My producer Matt Seeley (Hamster Wheel) and I are thrilled to be included in the film festival’s lineup.
So what’s Socket about?
A doctor punishes a photographer for ridiculing her amateurish attempts at his profession.
You can read more about it HERE.
SOCKET (2016) Goes to the Rio Grind Film Festival!
The good people at the Rio Theatre have selected my new short film Socket (2016) to screen at The Rio Grind Film Festival. All twenty-three minutes of it! This marks its world premiere in theatres, and a Vancouver one at that.
What they said:
Join us at the Rio Theatre for what may be the absolute best Short Film Screening event in the history of Vancouver, ever. It’s the Rio Grind Film Festival’s 2016 lineup, and it is good.
In fact, it’s so good that we’re presenting it over the course of two days! This year, we were fortunate to receive submissions from 12 countries, and were overwhelmed with the quality and variety of stories told by emerging filmmakers from around the world.
