Giacchino’s “Roar” is Released
Yesterday, Ratatouille (2007) composer Michael Giacchino’s Roar, an eight-minute musical ode to 50s era Godzilla movies, has been made available on iTunes (only the US version). I couldn’t be happier. This was the only piece of an instrumental music to play over the entirity of J.J. Abrams’ produced Cloverfield, which was reserved for the end credits sequence.
There were only two elements of Cloverfield I enjoyed, in spite of how the filmmakers used their “hand held” camera like they were shaking a martini for 75 minutes. This brings new meaning to enjoying the end credits more than what preceded it. The music was like an award for enduring this tarnished hyped-up spectacle.
What I also enjoyed was really a who, Lizzy Caplan as Marlena. She was the only compelling character who had enough snark to go around the crowd of young, irritating drips surrounding her. To add insult to bug infection, she exited far too soon. With over a half-an-hour left, I was stuck the other survivors, too bored to cheer their deaths. At least, Marlena’s was kinda cool.
Followed by a strong cult following, the demand was as strong as the wait. Negotiations between iTunes over the release the Giacchino’s original cut of the score, which has been extended by five minutes, were met. Giacchino has said, “…there (were) a bunch of legal knots that need(ed) to be tied.”
Listening to the score again, I was reminded of Danny Elfman’s turbulently operatic score for Tim Burton’s Mars Attacks (1996). This main title sequence is so good that I could watch it forty-two times in the amount of time it would take to watch the actual movie.
The 2:06 mark is a killer.
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