Thy “Religulous” Trailer

Calling all agnostics, come November 5th, have plenty of body armor on because the unapologetic documentary Religulous is hitting theaters.
“Religulous” Trailer
That all heart, brainy and quick-witted political commentator, Bill Maher, takes us around the world to prod people about that hot button called God. There’s already some right-wing evangelist backlash against it. One wonders if there will be a boycott for the likes of Kevin Smith’s underrated Dogma (1999). Thank (insert your diety here) there are people out there willing tackle the bully boys that ram literal readings of the Old Testament down our collective throats.
Kevin Smith Joins The Protesters of “Dogma”
Kevin Smith Laughs At The Protesters of “Dogma”
It’s funny how defensive some (er… most) people get when you even suggest plausible doubt that takes them out of their theological comfort zone. That’s what Maher is doing and I applaud him for it. Questioning is good for achieving a moderate and curious society. This keeps the threat of evangelical movements that want to conquer and not listen at bay. I know people who think that world peace would be realized had everyone become a devout Christian as well those (like John Lennon) who believe there would be no wars without religion. I think people will use any excuse to find prejudice and make enemies whether religion is existent or not because it is the easiest to exploit.
Now I believe in a healthy open mind. I’m willing to entertain the plausibility of a conscious and omnipresent being surrounding our wacky universe so long as others don’t deny that our surroundings are governed by scientific means. It would be just as depressing to have worldly people obliterate their personal beliefs and histories for a unified one decided by a majority as would the option of obliterating them altogether. What appeals to me about all religions, popular as well as obscure ones, are the imaginations and the varied identities made possible for individuals around the world. It would be downright boring to be so certain about one outcome. It only becomes a problem when others are harmed in the name of an idea.
Lions Gate is distributing Religulous. No surprise, this studio often releases heady and controversial films like Fahrenheit 9/11 (2004), The Passion of the Christ (2004), American Psycho (2000), Shadow of the Vampire (2000), Hard Candy (2005), as well as Repetitive Vomitoriums and Spoofs For The Lobotomized.

Throughout Maher’s theological search, I’ll have time to muse why I find atheism so sexy.












The attention to detail is absolutely terrific from the recreated sets that look exactly like the original Overlook Hotel corridors and hedge maze from thirty years ago to the lighting and lens choice — a 25mm Cooke lens that was favored by Kubrick. The amount of visual in-jokes will have die-hard Shining enthusiasts viewing it several times before none have escaped their close attention. I marvel at the prospect that the filmmakers even cast Kubrick’s crew to look like the real-life counterparts including John Alcott, Kubrick’s longtime director of production before his death in 1986. Watch out carefully for a half-dozen dead ringers of The Shining’s most prominent characters. Oh, and the tricycle that appears at the end is the real deal. This is the type of work ethic that makes me beam with joy.
Citizen Kubrick, a new documentary by Jon Ronson will first head off ten of the selected movies from Kubrick’s generous filmography. The chosen films range from the most famous (Lolita, 1962; 2001: A Space Odyssey, 1968; Barry Lyndon, 1975) to the most obscure (Killer’s Kiss, 1955; The Killing, 1956). After watching the documentary Stanley Kubrick: A Life in Pictures (2001) by Jan Harlan, one of Kubrick’s closest producers, I’m still very curious about the secretive genius. I am also relishing the published 