Artwork by Akiko Stehrenberger from the Criterion booklet of Life During Wartime.

The cast of Life During Wartime (2010) from left to right:
Paul “Pee Wee Herman” Reubens (Andy Kornbluth), Shirley Henderson (Joy Jordan), Michael Kenneth Williams (Allen), Ally Sheedy (Helen Jordan), Rich Pecci (Mark Wiener), Michael Lerner (Harvey Wiener), Allison Janney (Trish Jordan), Emma Hinz (Chloe Maplewood), Chris Marquette (Billy Maplewood), Ciarán Hinds (Bill Maplewood)

As I suspected about the new Criterion release of Life During Wartime (2011) back in May, Miss Stehrenberger has illustrated the whole gaggle of characters from the film.

Beautifully done!

The arrangement of the characters complements their relationships to each other so thoughtfully. All three of the Jordan sisters are separated from each other. Joy is torn between her husband and the ghost of her ex-boyfriend. Helen, the black sheep, who has abandoned her family, is ignored by everyone. Most dominant is Trish, positioned up front. With her steely gaze, she has a dynamic presence. Her vibrant, almost violently paint-slashed dress suggests that she has survived a battle.

Notice how both Joy and Trish’s daughter Chloe have their arms behind their backs. I find Chloe standing in front of her mother has the stance of a foot soldier. Joy and Chloe also share similar hairstyles, head shape and facial features. How ironic that Trish is on her way to raising little Joy all on her own. Remember when Chloe wondered if baby carrots feel pain? That’s the kind of thought “Sensitive Joy” might have had as a kid.

Fathers and sons are paired together on both Wiener and Maplewood fronts. The two Wieners assume the same pose. I’m going out on a limb, but I doubt Bill has his hands in his pockets like his son does. Of course, Bill is cast off to the far right. The only character in the group he talks to is his son. Andy is on the far left – he’s dead with only Joy as his last connection to the the world of the living… or is it just in her head?

For the first time, a film by Todd Solondz is getting the Criterion treatment. This is Life During Wartime (2010), one of the most exciting movies to come out last year that very few even noticed on its limited release. Now everyone has a chance to catch up with it as well as the characters from Todd Solondz’s most controversial film Happiness (1998). That’s right: Life During Wartime is Happiness 2! Now have Bill, Trish, Joy, Helen, Andy and the rest of the gang gotten along after ten years? Not surprising, they’re worse now than before.

Yes, Andy is still dead. Solondz just brings him back as a ghost to haunt his ex-girlfriend Joy. What luck Joy has!

At first glance, it appears that the designers at Criterion had their work on the DVD’s front cover handed to them. The final illustration and design of the original Life During Poster promotional poster by Akiko Stehrenberger was already at their high level of quality. All that was needed was to slap on that big C and set it to Screen. Before its theatrical release, I wrote about the process that the Life During Wartime movie poster went through to come to this.

That is until I found this on Akiko Stehrenberger’s bio:

Her illustrated poster, Life During Wartime, garnered press as well, which she recently adapted and illustrated the cast for the Criterion Collection DVD. She was deemed “Poster Girl” by Interview Magazine, and Creative Review published a 20 page zine of her illustrated movie poster work for their January 2011 Monograph series.

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This is my best impression of a lamb.

Last Saturday, Cinelation was submitted as the #922 website in the Large Association of Movie Blogs (LAMB). Special thanks to Rachel, one of the site’s leading authors, who took my website into consideration and posted it.

The next day I was encouraged by Max Covill of Impassioned Cinema who found Cinelation through the LAMB. Judging from his output, the name for his website is very appropriate.

Of the livestock available, thank goodness the LAMB’s mascot is an adorable, fluffy one instead of grotesquely characterized variant.

Like this one:

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Todd Solondz is one the most distinct filmmakers we have working today. Like watching one minute of a random movie by either Neil Labute or David Fincher without warning, you know it is by Solondz when you see one of his. My high anticipation for his new film Life During Wartime (2010), which premiered last year at TIFF (Toronto International Film Festive), is matched by seeing what its movie poster will look like — and for good reason. Over Solondz’s career from Welcome to the Dollhouse (1996) to Palindromes (2004), the posters of his films have been consistently inspired and in tune with each other. Their designs and illustrations(!) convey the sweet and sour qualities of his controversial themes, which engage and then subvert our expectations.  Whether it is Solondz’s direct influence or just what each different advertising company happens to come up with when facing his material, the results in style are remarkably alike.

Illustrated movie posters have been a dying breed for the past quarter of a century. Most of Todd Solondz’s films have kept that art on the respirator starting with Daniel Clowes’ take on Happiness (1998) and then what Kathryn Rathke ran with in Palindromes (2004). Life During Wartime (2010) continues down that illustration path – it’s very appropriate since Life is the sequel to Solondz’s Happiness – but not before some photographed design comps were made. Before unveiling the illustrated version, I will take you through how it evolved starting with the international poster made for the film.

LIFE DURING WARTIME (2010) International Poster

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“The Decalogue” (1988 – 1990)

Illustration (27.8” x 39.4”)
Krotki Film O Milosci
A Short Film About Love (1988)
Illustrator/Designer: Andrzej Pagowski

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