Poor, poor Dubya. With only half-a-year of his presidency left, Oliver Stone has him in the cross hairs and is ready to fire October 29th.

Two months since we have gotten the all-type Bushism poster, now here is the trailers that have official hit.

“W” Trailer #1:

“W” Trailer #2:

Looks like we’re going to see Dubya as all too human here. Much like how Stone saw Nixon in his excellent 1995 feature as a tragic figure worthy of Hamlet.

Hamlet
A man may fish with the Bush that hath eat of a king, and eat of the fish that hath fed of that Bush.

Just don’t skimp on the flaws, Oliver!

Switching faces from tragedy to comedy, here is the new trailer for Mike Leigh’s upcoming Happy-Go-Lucky. This one is made for the North American audiences so be sure to take a shot of Insulin Glargine.

Now this trailer is just dying to make this bittersweet British comedy come across as a sweet-and-low Julia Roberts vehicle. A desperate attempt turning indie gold look like mainstream schmaltz. It has the banal Disneyesque-pop music cues, the kid-friendly editing wipes (swooshing sound effects are not optional), the garishly bubblegum-polished graphics, and the voice-over narration of Don LaFontaine in syrupy mode. Is Miramax really stooping this low for a Best Picture nom?

News Flash: a dozen years ago Mike Leigh’s Secrets and Lies (1996) got the coveted nomination, so have a little faith!

The international trailer that I wrote about 3 months ago is far superior and actually feels like it has the fingerprints of Mike Leigh on it.

The Real Happy-Go-Lucky Trailer

The sophisticated animated graphics with the cute and gritty edge – check! An editing aesthetic that does not condescend – check! The quirky yet somber soundtrack by Gary Yershon – check!

Question: Am I the only one waiting for the melancholy soundtracks of composer and Mike Leigh regular Andrew Dickson (High Hopes, 1988; Naked, 1993; All or Nothing, 2002; Vera Drake, 2004) to be released?

Happy-Go-Lucky will speak for itself (in limited release) on October 10th.

Nearly a month ago, the trailer for the next highly anticipated film David Fincher film The Curious Case of Benjamin Button debuted before the fourth Indiana Jones movie on May 23rd. Now Fincher and Paramount Pictures have officially launched the teaser trailer today. For contemporary movie marketing, this is as good as it gets.

“The Curious Case of Benjamin Button” Teaser

My first viewing of the trailer on the big screen was kind of a transcendent experience. Maybe greater than the one for The Dark Knight coming July 18th. Hell, it’s on par with There Will Be Blood from last year.

“The Dark Knight” Trailer

“There Will Be Blood” Trailer

The angelic and somber score accompanying the teaser of The Curious Case of Benjamin Button comes from Saint-Saens’ Carnival of the Animals – Aquarium sans the choir. It has been used in Terrance Malick’s Days of Heaven (1978) and a few Ren and Stimpy cartoons. Except for the odd line of dialogue that bookends the teaser, the music is dominant like a silent picture. It reminds me of the eerie, dialogue-free trailer for Dark City.

“Dark City” Trailer

Best of all, the David Fincher teaser doesn’t overstay its welcome clocking in at one minute and forty-six seconds. Too many trailers go to the trouble of cramming in every cool visual along with the final confrontation into two minutes and forty seconds. Over-eagerness does not suit a seducer.

The F. Scott Fitzgerald short story makes for a compelling hour’s read. It draws parallels to Daniel Keyes’ Flowers For Algernon. A baby is born wrinkled, decrepit and frighteningly able to talk candidly about the indignity of being given a milk bottle. As the time passes, Benjamin Button (nearly named Methuselah, referring to the son of Noah who reached the age of 969 years old) must contend with living a unique life of regressing to youth both psychically and mentally. He is always withheld from the conventional human experience, but strives for it anyways.

Within Fincher’s command after Zodiac (2007), his most successful feature, The Curious Case of Benjamin Button could become an instant classic. So long as Benjamin Button himself is a tragic character. It would be terrible if the filmmakers screwed it up with playing safe and happy with such a volatile and melancholy premise.

The film stars Brad Pitt (12 Monkeys, 1995), Cate Blanchett (The Talented Mr. Ripley, 1999), Tilda Swinton (Young Adam, 2003), Julia Ormond (The Baby of Macon, 1993), Elias Koteas (The Thin Red Line, 1998), Jason Flemyng (From Hell, 2001), and Taraji P. Henson (Hustle and Flow, 2005)

Christmas is looking very promising this year.

“Baghead” Trailer

This is a movie that excites me – it could be very good or very bad – there’s no middle ground here. Even the poster is arresting for its mundanity, repulsion, eeriness and quirkiness. I’ve always found paperbags to be rather ominous.

What gives me hope is that the premise of a half-naked man with a eye-holed paperbag over his head will not be delivered as a straight-up horror film. No, the Duplass Brothers are too smart for that. Baghead is described by the filmmakers as being “funny, truthful, (and) endearing”, which makes it much scarier. Usually the combination of comedy and horror looks good on paper but is a trial to execute successfully as a film. It requires a deft touch like a Spike Jonze (Being John Malkovich, 1999) or a Wes Anderson (The Royal Tenenbaums, 2001).

Here’s the skinny: A bunch of would-be actors retreat to a cabin in the Necronomicon-filled woods to write an indie film over the weekend. The film has a light-touch when focused on the comradery and the wavering prospect of romance between friends. The proverbial bag-headed boogeyman that is penned by our heroes in their script materializes as a very human and intimate threat. This reminds me of the urban legend turned real in the underrated Bernard Rose (Paperhouse, 1988) film Candyman (1992).

From Mark and Larry Duplass, Baghead comes right after their whimsical The Puffy Chair (2005), which is on my To-See List after Jane Champion’s An Angel At My Table (1990).

Baghead will be shown in Austin, Texas June 13th. A limited release is still pending.

“Choke” Trailer

Get ready for a Palahniuk Punch. After the subversive head bunt of the David Fincher cinematic satire, Fight Club (1999), a new adaptation of the Chuck Palahniuk novel Choke is coming to theaters this Fall. First time writer-director of Choke, winner of the Sundance Special Jury Price, is character actor Clark Gregg from David Mamet’s Spartan (2004), and the wonderful Nicole Holofcener comedy-drama Lovely and Amazing (2001), which stars Brenda Blethyn, Catherine Keener and love-goddess Emily Mortimer.

Choke looks like a very dark comedy this side of Neil Labute’s In The Company of Men (1997) stars Sam Rockwell (Joshua, 2007) as a dysfunctional sex addict trying to find his place in the world and in his mother’s physician (Kelly Macdonald, Tristram Shandy: A Cock and Bull Story, 2006). Anjelica Huston (The Darjeeling Limited, 2007) plays mom who must be so proud! I hope this angry satire takes aim at all the right targets… and hits hard.

Funny: Moulin Rogue! (2001) is playing in the background and lo and behold the first trailer for the new film by Baz Luhrmann, after seven years, is down under here.

“AUSTRALIA” Trailer

It looks like a cross between Tarsem’s The Fall (2008) and the Nicolas Roeg masterpiece Walkabout (1971).

“Just about the most different movie you’ll ever see.”

Throw in some sensational romance with Hugh Jackman (The Prestige, 2006) and Nicole Kidman (Dead Calm, 1989), add operatic music, shake, don’t stir and I’m there!

“We should be lovers!”
“We can’t do that…”

AUSTRALIA opens November 14th.