Christopher Beaubien I am an independent filmmaker, illustrator/designer (Rainbeau Creative) and writer living in Vancouver, BC.
CINELATION is a forum where I speculate on aspects of film- making that intrigue me. My love for the medium knows no bounds. A movie house is like a cathedral to me. After watching a good film, I find it cathartic to stay for the end credits before returning to the world.
By Christopher Beaubien • February 09, 2009 • Commentary | News
Before becoming the next best thing to the likes of film composer Danny Elfman, Shirley Walker made her mark as a conductor for a few renowned films such as Randa Haine’s Children of a Lesser God (1986) and Jonathan Kaplan’s The Accused (1988). Her greatness was matched by the production of Francis Ford Coppola’s Apocalypse Now (1979) as her first gig in Hollywood. On the Internet Movie Database, Walker is listed as a synthesizer musician in the film’s music department. The original music credit goes to its director (listed as Francis Coppola) and his father Carmine Coppola. Coppola’s wife, Eleanor, was too busy documenting its production with stunning material that would later become Hearts of Darkness: A Filmmaker’s Apocalypse (1991), written and directed by Fax Bahr and George Hickenlooper who also made the wonderful film, The Man From Elysian Fields (2001). Like Werner Herzog’s Fitzcarraldo (1982) and its accompanying documentary Burden of Dreams (1982), Hearts of Darkness presents the production as harrowing an experience as Apocalypse Now.
We were spoiled by last year’s Oscar telecast. It didn’t feel that way at the time, but after going through the slough of nominations deemed safe by the Academy of Motion Pictures, a year where NoCountry For Old Men (2007) took home the big kahuna is looking more lustrous. Amidst the categories is a rigid formula of regularity that just strengthens my conspiracy that the Oscar voters are in cahoots with The Sandman. Some of nominees are deserving, but many of them have been preordained by the death of a thousand cuts that film pundits call Oscar Buzz.
Mind you, I’m writing this with a little tongue in cheek. If the few deserving nominees were absent from the categories, it would be disappointing despite how much news preordained the suspense out like a strangled balloon. Looking at the Best Actor nominees alone, four out of five great choices is not bad. Other categories are not as kind. This is the first out of two think-pieces about the 81st Annual Academy Award Nominations.
Best Picture
The Curious Case of Benjamin Button (2008): Ceán Chaffin, Kathleen Kennedy, Frank Marshall Frost|Nixon (2008): Brian Grazer, Ron Howard, Eric Fellner Milk (2008): Bruce Cohen, Dan Jinks (they won for American Beauty in 1999) The Reader (2008): Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris Slumdog Millionaire (2008): Christian Colson
By Christopher Beaubien • November 11, 2008 • News | Trailers
No! This not another merger-bastardization of the Ridley Scott/James Cameron enterprise. It’s a CGI feature from Dreamworks that comes in ATOMOVISION! – correction – INTRU3D! Sigh, 3D is so overrated.
It is directed by Dreamworks devotees Rob Letterman (Shark Tale, 2004) and Conrad “Gingerbread Man” Vernon (Shrek 2, 2004).
Watching this reminds me of a Brad Bird feature that was “Bold! Dramatic! Heroic!” Let’s just hope Monsters VS Aliens isn’t another hobo suit. Another denominator is that the score sounds like a low-rent Beetlejuice score.
However, any movie that features a United States President that looks and sounds like Stephen Colbert has my vote — “Hail To The Cheese!”
Others lending their voices are Seth Rogen (Zach and Miri Make A Porno, 2008) , Paul Rudd (The Shape of Things, 2003), Hugh Laurie (House M.D. was in Spice World, 1997) and Reese Witherspoon (Freeway, 1996) as Susan the Fifty-Five Foot Woman — insert Shrinking Lover quip from Pedro Almodóvar’s Talk To Her (2002) here.
By Christopher Beaubien • October 09, 2008 • News | Trailers
Vancouver International Film Festival | “Foreign Film”
It is one of my missions in life to get people like this to watch “strange films”.
Vancouver International Film Festival | “Over-Analyzer”
Actually, the colour magenta carries the most saporous and truculent of feelings.
Vancouver International Film Festival | “First Question”
Announcer: “While some schmuck channels so much brain juice to come up with the holy of holies of questions — some other guy asks a variation of that question as easily as a bird flying into a windshield.”
Vancouver International Film Festival | “Seat Saver”
No, they never truly understand that sacrifice…
Vancouver International Film Festival | “Front Row”
Talk about a close-up.
Vancouver International Film Festival | “Rush Line”
Very anti-climatic!
Vancouver International Film Festival | “Die Hard”
By Christopher Beaubien • September 05, 2008 • News | Trailers
Bias Alert: This news comes just I have recently finished Michael Moore’s Election Guide 2008, thus having read every published word he has ever written including those from the obscureAdventures in a TV Nation.
That waskly old Liberal Michael Moore is rocking the vote (and the boat) with his new film Slackers Uprising. Much like in The Big One (1997) which chronicled Moore’s book tour for Downsize This!, this documentary follows Moore across the country’s universities and colleges. With young adults in attendance months before the Presidential Election of 2004, Moore beseeched the Slackers of America to find their shorts, scarf down their Fruit Loops sans milk and VOTE! The race was between Bush and Kerry and arguably over half the country felt the stakes were near-apocalyptic over four more years of the Sitting Duck in Office.
This caused some ridiculous controversy by the right-wing pundits who spoke out against Moore’s tactic. Now Moore didn’t outright demand to the twenty-somethings which candidate’s name they had to puncture in the ballot. What did Bill O’ “DO IT LIVE!” Reilly and the gang have to fear of young voters participating in their right to democracy. They could very well have stuck it to old man Kerry and gone back to suckling the warm, freedom-flavored teat of Dubya.
Starting September 23rd, Michael Moore is generously releasing his new film Slackers Uprising as a free download for three weeks in North America. As a Canadian, this cheers me greatly. Usually downloadable media from the US is unavailable to your Neighbor of the North – I’m looking at you NBC (30 ROCK), CBS (Swing Town) and Comedy Central (The Daily Show + Colbert Report)! Being the first mainstream film to reach personal computer screens for the admission of bupkis, Michael Moore is not only a pioneer but truly appreciates his fortune in turn by his audience: “This is being done entirely as a gift to my fans. The only return any of us are hoping for is the largest turnout of young voters ever at the polls in November.”
This may very well tip a close presidential race away from the Republican Party’s John ‘Hot Head’ McCain and that media-trashing, earmark-embracing hockey mom Sarah Palin.
A DVD of the said film will also be released. It’s Special Features include:
Special Guest Joan Baez — America the Beautiful
Diplomats and Military Commanders for Change
Why People Like George Bush?
My Pet Goat
The O’Reilly Factor for Kids
Oh, Canada (Oh, My!)
Just Add Water and Heat – More Ramen and Clean Underwear
A Letter from a Soldier in Iraq
MM Dance Machine
Last week, Michael Moore guest starred on the web-based show “Meet the Bloggers”.